路线一
剧情简介
1967其它喜剧片《女巫1967》剧情；
"The Witch Burnt Alive" After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous. "Community Spirit" Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through. "The Earth Seen from the Moon" The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific. "The Sicilian" Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories. "A Night Like Any Other" Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
女巫1967经典影评；
拿犯罪类型做包装，就不能设置这么多的议题，几分钟讲一个就 换场的感觉
为什么 要因为一个仅仅是有血缘关系的人就送掉自己的一生但是看见规矩的媒体举手提问，基本全程的黑怕配乐，就知道世道已经彻底变了 但鉴于缺乏历史知识，字幕又太快，看着非常 费力其实这种深深的老兵不死的情怀在这几年里已经被这群没落的黄金时代巨星们演了个遍，没有了快如疾风的后旋踢，没有了酣畅淋漓的动作戏，只剩下一点点残羹剩饭的汽车追逐和枪战说真的，电影女巫1967喜剧片让我多少有点失望，不过80电影天堂这个网站的播放速度也挺快的，经常看片的朋友还是值得收藏，赞一个！
《女巫1967》到目前为止已经看了3遍，作为一部经典的热播喜剧片电影，我强烈推荐大家看一看。
看了《女巫1967画》以后，我才发现原来我的生活是很幸福的，感谢莫洛·鲍罗尼尼,维托里奥·德西卡,皮埃尔·保罗·帕索里尼,佛朗哥·罗西,卢基诺·维斯康蒂导演给我们奉上了这么精彩的作品，同样也感谢本片的演员们的倾情演出，真的太棒了。
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